Cyndee Lee Rule: Buy

UFOsmosis is Cyndee Lee Rule's debut, genre-twisting Viper album. With her 5-string Wood Violins electric violin and Zoom 606 pedal she creates a vast array of tones and moods. UFOsmosis spans from Celtic, to Middle Eastern, to Indian to Latin influences, with a heavy emphasis on spacerock.

Custom t-shirts, ties, hats, mugs, keychains, magnets, etc. There are also items with pictures of me with the Viper. More to come!

Systems Theory is a multi-national internet music project creating adventurous music best described using the terms cinematic-progressive, cinematic-ethnic, cinematic-spacerock, cinematic-electronic, cinematic-ambient, cinematic-soundscape, cinematic-fusion. The compositions run the gamut from dark ambient drift to worldprog-fusion to full-throttle aggressive spacerock, many of which are colored by the rich organic sounds of the Mellotron M400 and other old analog keyboards.

In 2007 Dr Silbury invented the quantum jukebox, a device that allowed him to locate, listen to and even work with alternate versions of his own band. The quantum jukebox was sensitive to "alternate worlds" - worlds made famous by the quantum theory of Bohr, Heisenberg, Pauli, Feynman and many other great physicists. By a process of quantum collapsing, the jukebox allowed Dr Silbury to contact many interesting alternatives of his band. Some of these versions were similar to the band he knew, but others were from far-out alternate worlds. It is likely that further information will be gleaned about the good doctor and his extraordinary jukebox. Eventually, it is hoped, the music of these many variants of his band will come to light, perhaps on some kind of crazy double CD ....

"Earth Born", produced by Don Falcone of Spirits Burning, featuring Bridget Wishart of Hawkwind, and an all-star spacerock crew. "Spirits Burning is all about celebrating what space rock is and can be. Past CDs have included a virtual who's who of the genre. Everyone from Daevid Allen to Robert Calvert to Mike Moorcock. And Earth Born, our fifth CD, continues this rich tradition." Don Falcone http://www.voiceprint.co.uk/web/Release/VP431CD/

"1967 1/2" by Mooch: Now, in CD and DVD format, come twelve pieces of music from this sensational year. On 1967½, Dr Silbury works with many of the '07 musicians, including Star Lighter (Chris Gill) who sings all the songs, Dr Panacea and Aunty Clockwise (Don Falcone and Karen Anderson) injecting the necessary San Fancisco input, and Sorcerous Sadie (Cyndee Lee Rule) on the violin. Also playing is the notorious Johnny Creedence (Pete Wyer) making a welcome return to the band of Mooch.

"Light Speed Dreaming" , a theme-driven compilation of moderately fast-paced (and sometimes dizzying) CG animation music-video combines psychedelic, surreal, and fantasy animation inspired by the music of artists at the forefront of today's progressive, space, and experimental music scenes. Each chapter takes the viewer through audio-visual voyages between worlds ranging from out-of-body experiences, trips through impossible landscapes, and on into contemplation of space and spirit. Avoiding abstract ambience and employing recognizable elements in an other-worldly context, "Light Speed Dreaming" invites the viewer into their own ultimate immersion. The music of Light Speed Dreaming is bracketed by the heavenly atmospheric "Lux Universum" by Farpoint and fueled throughout by the experimental/avant/space/prog works of Systems Theory, Tanuki, and Cyndee Lee Rule. (and some naive yet enthusiastic electronic wankery by David Frain)

As with the last album Soundtracks for Imaginary Movies, this album is a classic example of that over-used descriptor a collision of styles; a merging of disparate and incongruent ideas and textures, where the old bumps into the new, the electronic collides with the organic, and the programmed has a chance encounter with the downright spontaneous. Some of the album was recorded using computers. Some using tape. Some was played on digital musical instruments, some played on digital copies of old instruments, some on acoustic instruments and some on old analogue instruments. Nothing is ever excluded by us for reasons of style or conformity. Our essential principle is this: if the sound fits then it fits. Buried deep within this album is the sound of a Victorian tenement stair being struck with a length of wood and recorded from sixty feet above. Elsewhere there are the sounds of an electric violin, a Mellotron, a disembodied flute, pots and pans being struck with wooden sticks, a cat idly playing with a lead, the squall of tortured mechanical devices crunching gears and cogs through their last moments, the voices of the wind and rain, and the rich assortment of toys and machinery that we pick and choose to use in our palette. If the last album was a series of musical accompaniments to films that didn't yet exist, then this collection is a collage of those things you'd rather not see but are perhaps happy to dream about from a safer distance; giant lizards, car crashes, warfare, rushing trains, dying red suns and trigonometry.

Project Moonbeam © 2008 Project Moonbeam (634479777189)

Skillfully merges the sounds of classic space rock, electronica, and progressive rock for a mind-expanding experience.